She writes, in singing, soaring, street-savvy prose, about a corner of North West London, and the people who call it home[footnoteRef:4]. This book has many of the same themes that you can find in Zadie's other works such as White Teeth. The major themes that Zadie likes to incorporate in her works are[footnoteRef:5]: [3: (Patterson)] [4: Ibid. ] [5: (Isbister)]
identity and nationality miscegenation racial discrimination gender politics history religion tradition and assimilation
IV. Smith's Writing Process
The Guardian reached out to many authors in 2010 and asked them to offer a set of their own rules for writing[footnoteRef:6]. She created an interesting set of rules: [6: (Popova)]
1. When still a child, make sure you read a lot of books. Spend more time doing this than anything else.
2. When an adult, try to read your own work as a stranger would read it, or even better, as an enemy would.
3. Don't romanticise your 'vocation'. You can either write good sentences or you can't. There is no 'writer's lifestyle'. All that matters is what you leave on the page.
4. Avoid your weaknesses. But do this without telling yourself that the things you can't do aren't worth doing. Don't mask self-doubt with contempt.
5. Leave a decent space of time between writing something and editing it.
6. Avoid cliques, gangs, groups. The presence of a crowd won't make your writing any better than it is.
7. Work on a computer that is disconnected from the -internet.
8. Protect the time and space in which you write. Keep everybody away from it, even the people who are most important to you.
9. Don't confuse honours with achievement.
10. Tell the truth through whichever veil comes to hand -- but tell it. Resign yourself to the lifelong sadness that comes from never -being satisfied.
Smith says she spends...
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